The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Texts for the catalogue to the British Pavilion at the 2006 Venice Architecture Biennale. On ideas of scale and stories in cities.
This is my glowing review of Barnabas Calder's new history of architecture, from the perspective of energy and climate. Spoiler alert: it is good.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!
The foreword to Arna Mathiesen's great book Scarcity In Excess, which investigates the effects of scarcity on the built environment in Iceland following the economic crisis of 2008. Other excerpts of the book are on Issuu
An invitation from the Italian journal STOA which I could not resist because the other invitee was Valerio Olgiati, whose take on architectural references is the polar opposite to mine. I swipe a bit, but maybe not hard enough, at his stance in this essay.
My first foray into the intersection of politics and architecture. Spiky.
Unpicking the differences between scarcity and austerity, the implications for the built environment. Good twitter feedback. Translated into French courtesy of the great journal Criticat. Pdf of translation here.
Happy to host Paul Chatterton's report: A Civic Plan for a Climate Emergency. Read it, y'all!
A short think piece on the 2011 Occupation movement and its relevance to architecture.
A bit of a cheat, because it is really the second chapter of Architecture Depends
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture