"Continue to contaminate your bed, and one day you will suffocate in your own waste" Duwamish chief Seattle to Pres… https://t.co/qTXguYJazz

Stock Orchard Street

My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ... A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

Architecture is too important to be left to men alone

A further explanation of my 30% pledge, which seems to have raised debate (see comments) elsewhere on the very wonderful Parlour website.

People’s Research Council

A project with Helen Storey of the London College of Fashion and Tony Ryan of the University of Sheffield, arising out of their Free Radicals project. At heart a really good idea of diversifying the way that research is chosen, procured and delivered, allowing others beyond the academic circle to become involved in the processes and ideas of research. A report generously funded by the Wellcome Foundation sets out the stall. Now looking for ways of effecting it.

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

Preface to Architecture, Participation and Society

A short introduction to the book Architecture, Participation and Society, edited by Leslie Forsyth and Paul Jenkins in 2009

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Martin Centre: University of Cambridge

Scarcity Scares. Video here.

Tent City University

Ten Theses on Scarcity. A lecture given in a tent on the steps of St Pauls during the Occupy London Stock Exchange period. Vocal audience who gave not a jot about my professorial authority. Rightly. Podcast, with the atmosphere of the occupation, is here.

Liquid Boundaries: UK Pavilion, 2013 Shenzhen Biennale

On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.

A Happy Age

Rather a miserabilist piece, but gets in that fantastic Seneca quote: ‘Those were happy times before the days of architects.’

Resuscitating Architectural Education

An essay on live projects written for a collection edited by Mel Dood and others from RMIT in Melbourne.