A podcast with me being interviewed by two great CSM students from the MA Culture, Criticism and Curation course - discussing art education at Central Saint Martins in relation to the contemporary condition
My first published work. Oh, what a clever young chappy I was. Sanctimonious posturing.
On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.
This is my glowing review of Barnabas Calder's new history of architecture, from the perspective of energy and climate. Spoiler alert: it is good.
With Nishat Awan and Tatjana Schneider. Out of the Spatial Agency project, the book provides supporting texts to the website. A summary of the issues is in our Architecture Today article, and an early review by Luke Butcher is here, plus nice ones in archidose and arquilecturas. A short excerpt (on ecological examples of spatial agency) was published in field. Winner 2011 RIBA President’s Award for Outstanding University based research.
A very short piece for the Architects Journal on the possible effects of Brexit on creative education. See also my message to Central Saint Martins written the day the result was announced.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Texts for the catalogue to the British Pavilion at the 2006 Venice Architecture Biennale. On ideas of scale and stories in cities.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
This is my very short response to Paul Finch's comments on Extinction Rebellion that he made in the Architects Journal on 14th May and 21st May 2019
Scarcity Scares. Video here.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
Ten Theses on Scarcity. A lecture given in a tent on the steps of St Pauls during the Occupy London Stock Exchange period. Vocal audience who gave not a jot about my professorial authority. Rightly. Podcast, with the atmosphere of the occupation, is here.