Design after Design
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.
When I was Head of Central Saint Martins, almost every year there was an article or radio programme lamenting the demise of the art school, often citing CSM as an example of this perceived collapse. This is my riposte to one such charge, published in 2015 in the establishment art journal Apollo.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
An invitation from the Italian journal STOA which I could not resist because the other invitee was Valerio Olgiati, whose take on architectural references is the polar opposite to mine. I swipe a bit, but maybe not hard enough, at his stance in this essay.
Lecture given at the Australian Institute of Architects Annual Conference 2015. One of my better 'performances'
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
The first time that Tatjana and I used the term 'spatial agency'. It felt like a breakthrough. The ideas a much expanded upon in the book 'Spatial Agency'
An interview with the portuguese journal arqa. In portuguese, so translation below. On scarcity, politics and the need for alternatives. Done the day of Thatcher's funeral, so pretty gloomy.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
A short think piece on the 2011 Occupation movement and its relevance to architecture.
The article when I found my voice. Stories, the everyday and a sprinkling of theory.
Short piece on Samuel Mockbee and the Rural Studio, trying to find the line between adulation and critique.
My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!