Jeremy Till

New Introduction to 3 Myths and One Model

My essay on architectural research, Three Myths and One Model,  is being translated into French, so I thought it was time to write a new introduction to it, because the argument felt a bit tired, presented as it was ten years ago. 

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

Email on the Brexit Referendum

On the day that the Brexit referendum was announced, I impulsively wrote to all my CSM colleagues. The email was then leaked and waves were created, not least in the Daily Mail who later included this as evidence that I was one of many traitors to the so-called 'will of the people.'

The Intimate Inner

My contribution to Sarah Wigglesworth’s great book on our house, Stock Orchard Street. Outlines the tensions of being an architect-client.

Stock Orchard Street

My last (ever?) building as an architect, designed with Sarah Wigglesworth. Made of straw and stuff. Best known for being on Grand Designs, the video of which is online. Sarah’s wonderful book on the project views it from all sides. Winner of the RIBA Sustainability Award, a Civic Trust Award and some others. Lots and lots of reviews of the project, including the Observer, and, and, ...  A 2021 film of it by Jim Stephenson is here, with a discussion afterwards. We live in it and are happy.

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

A Civic Plan for a Climate Emergency

Happy to host Paul Chatterton's report: A Civic Plan for a Climate Emergency. Read it, y'all!

The Architecture of Good Intentions

Reflections on 2016 Venice Architecture Biennale

Oral History about my time as Head of Central Saint Martins

Judy Willcocks, the Head of the Museum at Central Saint Martins, sat me down to cover my time from 2012-222 as Head of Central Saint Martins. We covered a lot of ground in 50 minutes, and it is a useful summary/memory of that period (at least for me)

Designs of the Year 2014

Article for The Conversation critiquing the reductive way that things are chosen for the Designs of the Year exhibition.

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself. 

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

New Collectives

An interview with the portuguese journal arqa. In portuguese, so translation below. On scarcity, politics and the need for alternatives. Done the day of Thatcher's funeral, so pretty gloomy.

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

The Background Type

Really just a transcription of a lecture — ideas on housing, the everyday and occupation over form.

Design: Duarte Carrilho da Graça & Philipp Sokolov