The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Lecture at Het Nieuwe Instituut in Rotterdam, that runs through the structure and argument of our book of the same title. The link is to the video, with my lecture on first.
In order to get a balanced view, all reviews from the very nice to the very nasty are included here.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Co-authored with Jon Goodbun, Michael Klein and Andreas Rumpfhuber. The main outcome of the Scarcity and Creativity in the Built Environment project. At the beginning of this project it became clear that there was no contemporary theory of scarcity that addressed the current conditions, so this book sets out to fill that gap, and then relate that theory to design. It is a short (15,000 words) book. Unfortunately the publishers are no longer running, so the link is to the full text as submitted to them in 2015.
On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
A podcast with me being interviewed by two great CSM students from the MA Culture, Criticism and Curation course - discussing art education at Central Saint Martins in relation to the contemporary condition
Scarcity Scares. Video here.
Rather a miserabilist piece, but gets in that fantastic Seneca quote: ‘Those were happy times before the days of architects.’
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Musings on Biennales and architectural exhibitions. Good opening! Light follow through.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Article for The Conversation critiquing the reductive way that things are chosen for the Designs of the Year exhibition.
A project with Helen Storey of the London College of Fashion and Tony Ryan of the University of Sheffield, arising out of their Free Radicals project. At heart a really good idea of diversifying the way that research is chosen, procured and delivered, allowing others beyond the academic circle to become involved in the processes and ideas of research. A report generously funded by the Wellcome Foundation sets out the stall. Now looking for ways of effecting it.