On the day that the Brexit referendum was announced, I impulsively wrote to all my CSM colleagues. The email was then leaked and waves were created, not least in the Daily Mail who later included this as evidence that I was one of many traitors to the so-called 'will of the people.'
A large European funded research project for which was the project leader. Looking at the way the production of the built environment is affected under conditions of scarcity. In partnership with TU Vienna and Oslo School of Architecture, and working with Deljana Iossifova and Jon Goodbun at the University of Westminster and the SEED Foundation. A range of books, exhibitions and events came out of it (press the 'scarcity' link below to find some of them).The link is to our original application to the HERA (Humanities in the European Research Area). It was one of only 18 projects funded under the first HERA call, with over 200 applications submitted.
This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made
Early piece, written when I had just got Lefebvre. Introduces themes that I play on for years to come.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
In order to get a balanced view, all reviews from the very nice to the very nasty are included here.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
Written in despair that it appears to have become an acceptable norm for architects to work in Saudi Arabia. I pick off the common justifications one by one. Published on the day that Saudi was awarded the World Cup in a piece of egregious sportwashing.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Texts for the catalogue to the British Pavilion at the 2006 Venice Architecture Biennale. On ideas of scale and stories in cities.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
Edited text of an interview with me about participation done with Bernd Upmeyer of the Dutch journal MONU
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
Edited with Sarah Wigglesworth. Now all this stuff appears, well, everyday but back then it was quite original. Buying it is a problem because the publishers discontinued it, but there are some sellers out there in the US. Essays and work by, among others, Sam Mockbee (of Rural Studio, his only published writing, of which we are proud to have persuaded him to do), Greil Marcus, Niall McLaughlin and Michael Marriott.
Co-authored with Jon Goodbun, Michael Klein and Andreas Rumpfhuber. The main outcome of the Scarcity and Creativity in the Built Environment project. At the beginning of this project it became clear that there was no contemporary theory of scarcity that addressed the current conditions, so this book sets out to fill that gap, and then relate that theory to design. It is a short (15,000 words) book. Unfortunately the publishers are no longer running, so the link is to the full text as submitted to them in 2015.