Three Politics
This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made
This is the transcribed text of my speech closing the What's the Point of Art School conference at Central Saint Martins in May 2013. It reads rather crudely, but the points are made
The best essay on the building and meaning of our house, with stories.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
My final tribute to PBJ
A short think piece on the 2011 Occupation movement and its relevance to architecture.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Very early thoughts from our Scarcity and Creativity project. Now looks rather crude.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
A short piece written in 2012 for the RIBA Building Futures series on the future of architectural education and the profession. More bullish than I now feel.
Short foreword to a big collection of essays about, well, architecture and social engagement. This was written in the dog days of Brexit and Trump, so comes across as quite fluently pissed off. It captures in a short text what I have been ruminating on for a few years.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Judy Willcocks, the Head of the Museum at Central Saint Martins, sat me down to cover my time from 2012-222 as Head of Central Saint Martins. We covered a lot of ground in 50 minutes, and it is a useful summary/memory of that period (at least for me)
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
With Tatjana Schneider. A comprehensive survey of Flexible Housing design. Winner 2007 RIBA President’s Award for Outstanding University based research, with judges saying: ‘An exemplary body of architecturally-relevant research’ offering comparative design plans, well-researched historical referencing, a new classification system and a practical manual/tool kit. An innovative and brave approach?? There is a long and useful, if quite critical, review by John Habraken (who is one of the book’s heroes). The book is beautifully designed by Ben Weaver, who also did Spatial Agency book and Architecture & Participation. The link is to an almost final version of the pdf of the book.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture