Liquid Boundaries: UK Pavilion, 2013 Shenzhen Biennale

On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.

New Collectives

An interview with the portuguese journal arqa. In portuguese, so translation below. On scarcity, politics and the need for alternatives. Done the day of Thatcher's funeral, so pretty gloomy.

Thatcher's Funeral

Not my musing, but that of my brother Nick Till. Nails the issues around Margaret Thatcher's funeral rather beautifully in two paragraphs

Six Inches of Power

My contribution to the collection of fantastic photographs by Lisa Barnard of the former Tory Party Headquarters. The book, Chateau Despair, is an extraordinary document of the tawdry environment that Margaret Thatcher and her cohorts conducted their business in. Though I say it myself, I like my writing here, spurred by Lisa's great work. Buy the book!

Scarcity and Creativity in the Built Environment

A large European funded research project for which was the project leader. Looking at the way the production of the built environment is affected under conditions of scarcity. In partnership with TU Vienna and Oslo School of Architecture, and working with Deljana Iossifova and Jon Goodbun at the University of Westminster and the SEED Foundation. A range of books, exhibitions and events came out of it (press the 'scarcity' link below to find some of them).The link is to our original application to the HERA (Humanities in the European Research Area). It was one of only 18 projects funded under the first HERA call, with over 200 applications submitted.