Flexible Housing

A research project funded AHRC and done with Tatjana Schneider at the University of Sheffield, looking at the history and contemporary possibilities of housing that is designed for future change and adaptation. The project resulted in a book and a number of articles, two of which are apparently among the most cited of ARQ articles. Winner 2007 RIBA President’s Award for Outstanding University-based Research. The link is to the almost final version of the book, which was beautifully designed by Ben Weaver.

Modernity and Order, Architecture and the Welfare State

On Park Hill as an example of welfare architecture and its current demise. My first foray into the work of Zygmunt Bauman.

Echo City

Texts for the catalogue to the British Pavilion at the 2006 Venice Architecture Biennale. On ideas of scale and stories in cities.

Echo City: 2006: British Council/Cornerhouse

The catalogue of the British Pavilion at the 2006 Venice Architecture Biennale, with essays by me (the ones on scale are here), and an introduction - a love letter to Sheffield - by Go! Sheffield. Designed by the very brilliant Ian Anderson of The Designers Republic, so worth your £5 for that alone. The British Council website has a scammy scan of the catalogue.

Echo City: British Pavilion at 2006 Venice Architecture Biennale

Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)