With Nishat Awan and Tatjana Schneider. Out of the Spatial Agency project, the book provides supporting texts to the website. A summary of the issues is in our Architecture Today article, and an early review by Luke Butcher is here, plus nice ones in archidose and arquilecturas. A short excerpt (on ecological examples of spatial agency) was published in field. Winner 2011 RIBA President’s Award for Outstanding University based research.
Short and a bit inconsequential riposte to Markus Miessen’s Nightmare of Participation.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
Edited with Peter Blundell Jones and Doina Petrescu. A collection of essays setting out the whys and hows of new approaches to participation. My chapter in the book appears to have ended up on this website. (under Biblioteca) Other chapters include work by Jon Broome, Giancarlo de Carlo, CHORA, and my two fellow editors.
For Occupied Times, the journal of the occupation movement. On austerity contra scarcity
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
My final tribute to PBJ
My response as to why giving the official government website 2013 Design of the Year was not so cool.
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
Editorial for the third issue of the Italian Journal Ardeth, for which I was guest editor. The issue theme was ‘Money’
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
An outcome of the Architecture after Architecture research project, this short book was written collectively by members of the MOULD collective, including me.
Architecture is Climate reimagines the very foundations of architecture in an age of crises. Rejecting outdated paradigms of endless linear growth, technocratic fixes, and the separation of humans from nature, this provocative and hopeful book argues that architecture must be fundamentally rethought—not as the design of objects, but as a practice entangled with climate, politics, history, and social justice.
Through eight key themes—knowledge, economy, land, resources, infrastructure, work, policy, and culture—Architecture is Climate explores how climate breakdown reshapes every aspect of architectural thinking and doing. Drawing on diverse voices, and grounded examples from around the world, it offers not just a critique of the status quo but a vision of other possible architectures—and climates—already in the making.
The book is accompanied by a website www.architectureisclimate.net
My first published work. Oh, what a clever young chappy I was. Sanctimonious posturing.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
A short think piece on the 2011 Occupation movement and its relevance to architecture.
Chosen in open competition to curate the British Pavilion, I put together the best creative minds in Sheffield to present an echo of this wonderful city (the link takes you to my initial application, and I have to say the room data sheets are not bad). The team included: Ian Anderson, Tim Etchells, Hugo Glendinning, Encounters, Martyn Ware, and Jim Prevett. The show attempted to explain how a city is great beyond its buildings: it did not have much architecture in, which did not go down well with architects, especially those in London, who were doubly annoyed that a provincial academic was doing the show. But beyond the Clerkenwell goldfish bowl (with Ellis Woodman in particularly splenetic form, fortunately now behind a paywall), the exhibition was better received (i.e in Die Presse, Der Standard, Financial Times, The Architects Newspaper, The Times, The Yorkshire Post, and of course the Sheffield Telegraph)
Rather a miserabilist piece, but gets in that fantastic Seneca quote: ‘Those were happy times before the days of architects.’