A short paper for the Journal of Architectural Education which specifically links issues of scarcity with notions of agency
Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.
I was invited by Rory Sherlock and Francesca Romana DellAglio to do something around architectural education at the Architectural Association. We decided to do it as a meal around a big table, calling the event ‘Three Courses of Architectural Education. At the end of the first course, when I had set out how the first year of architectural education introduces a set of rituals and codes that initiate students into the culture of architecture, I asked each participant, who came from a wide range of schools, to write down a sentence or two that described a particularly weird happening in their first year. Most of the people present were recent graduates. The following are the unedited stories. Together they present a shocking picture of the state of architectural education.
My first foray into the intersection of politics and architecture. Spiky.
Early stuff on research and first ideas on contingency. Others like this more than I do - it won best paper at EAAE conference. Big in China (reprinted in The Architect (China), Vol 118 Dec 2005)
This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture
A long piece on Trump-Brexit-Architecture. I was nervous doing it because I thought everything had been said, but thought there was an urgency, so any contribution felt worthwhile.
The article when I found my voice. Stories, the everyday and a sprinkling of theory.
Another piece on architectural education. Rather showy-offy, but was an finalist in the EAAE competition for writings in architectural education that year.
My response as to why giving the official government website 2013 Design of the Year was not so cool.
2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.
On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.
This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself.
The best essay on the building and meaning of our house, with stories.
A short think piece on the 2011 Occupation movement and its relevance to architecture.
The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD
An essay on live projects written for a collection edited by Mel Dood and others from RMIT in Melbourne.