Jeremy Till

Strong Margins

Short piece on Samuel Mockbee and the Rural Studio, trying to find the line between adulation and critique.

Glossing over the cracks

My response as to why giving the official government website 2013 Design of the Year was not so cool.

Architecture Criticism against the Climate Clock

The keynote article for Architectural Review's 1500 issue. Draws heavily on the joint research with MOULD

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Three Myths and One Model

Originally commissioned by the RIBA, a piece on what might or might not constitute architectural research. Big in Spain.

Alternate Currents: Introduction (with Tatjana Schneider)

Lightish introduction to a whole issue of field (with articles worth reading); the start of the Spatial Agency Project.

Occupational Hazards: Architectural Review

A short think piece on the 2011 Occupation movement and its relevance to architecture.

The Educator as Ironist

Another piece on architectural education. Rather showy-offy, but was an finalist in the EAAE competition for writings in architectural education that year.

From Objects of Austerity to Processes of Scarcity

An essay based on a presentation to the Society of Architectural Historians, tracing various historical episodes of austerity.

Design after Design

This is the text of a short talk I did as part of the UAL Climate Emergency Network 5 day festival in September 2020. It picks up on some of the themes of Architecture After Architecture

Architecture after Architecture

This was my first Zoom lecture, delivered as part of the Architecture Foundation's excellent 100 Day Studio intiative during the 2020 COVID lockdown. The video is here , and the transcript linked to the title above. The lecture speculates as to where architecture might be in the face of the twin crises of climate and COVID, arguing that these challenge some of the fundaments on which the modern project of architecture has based itself. 

Please Do Not Touch

Musings on Biennales and architectural exhibitions. Good opening! Light follow through.

Liquid Boundaries: UK Pavilion, 2013 Shenzhen Biennale

On the basis of a pitch written on an iPhone on the top of a mountain in Ethiopia, I was invited to curate the UK Pavilion at the 2013 Shenzhen Biennale of Architecture and Urbanism. The eventual pavilion was curated, designed and produced by students and staff from Central Saint Martins, and took the theme of Liquid Boundaries - arguing the need to find ways through the hardening of space as it is being increasingly controlled, regulated and divided. The pavilion presented four films, each 129 seconds long (the average time someone spends in a national pavilion at the Venice Biennale), which interpreted briefs provided by four UK architects and spatial agents. All in their own way open up ways in which boundaries might be negotiated with, and in so doing a more democratic form of space emerges. More information, including a downloadable pamphlet and 'user manual', can be found on the Liquid Boundaries website.


Resuscitating Architectural Education

An essay on live projects written for a collection edited by Mel Dood and others from RMIT in Melbourne. 

Architecture After Architecture Research Project

2021-24 AHRC-DFG funded research project in collaboration with Tatjana Schneider, looking at the implications of climate breakdown for spatial practice. Summary of project in the link. We formed a research collective, MOULD, to do the project, and work coming from the project is gathered together at the website MOULD. One of the main outputs of the project is the website Architecture is Climate, a resource that reimagines the future of architecture through its entanglement with climate breakdown.

Society of Architectural Historians: Detroit

From Objects of Austerity to Processes of Scarcity. Text of presentation available through link above.

Email on the Brexit Referendum

On the day that the Brexit referendum was announced, I impulsively wrote to all my CSM colleagues. The email was then leaked and waves were created, not least in the Daily Mail who later included this as evidence that I was one of many traitors to the so-called 'will of the people.'

Design: Duarte Carrilho da Graça & Philipp Sokolov